cindy sheehan and the social vs. the political May 10, 2007Posted by sindhub in 911, bill o'reilly, cindy sheehan, controversy, female politicos, Female Power, G W. Bush, gender, in the news, iraq war, jersey girls, jersey widows, morality, motherhood, nationalism, news stories, politics, Power, rush limbaugh, the state, wartime politics, women and war.
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I wanted to talk a little bit more about something I brought up in class today, about how women’s traditional gender roles in the U.S. involve upholding social and cultural mores, and possibly aiming to ‘better society,’ but never being explicitly political about it. I realized after class what I meant by ‘explicitly political’: placing the blame on someone. Politics is very much about finger-wagging, appeasing constituents, and placing the blame for something on somebody or something. Traditionally, it’s been more socially approved for women to try to ease society’s ills, e.g. the temperance movements of the late nineteenth century. Although women took on leadership roles in these organizations and argued in favor of women’s right to vote, their main focus was on maintaining the ‘traditional’ family structure (the Women’s Christian Temperance Union is strongly against same-sex marriage), not shaking up society. However, and I think this has something to do with us living in the post-9/11 era, when a woman blames someone explicitly for breaking up the family (and not just alcohol), there can be a severe backlash. Even flippantly critical comments like Natalie Maines’ can do that, but I think the best example in the current Bush presidency is Cindy Sheehan.
I’m sure you’ve heard of her; she’s the mother whose son died in the Iraq war, and became an anti-war protester, going so far as to camp outside President Bush’s Crawford, Texas ranch for five weeks, insisting on speaking with him personally (which he never agreed to, though he did send top officials). I remember when this happened in the summer of 2005, and it just being all over the news. Surely a mother’s grief for her lost son is newsworthy. But Sheehan’s story only took the vitriolic, polarizing turn that it did, dominating the nightly news for the summer, because she took her traditionally social role as a mother and used it politically. Antiwar groups rallied against her because she was so beneficial to their cause, and Bush’s supporters criticized her for being ‘treasonous.’ Her critics didn’t question what she was saying–that the Iraq war wouldn’t make us any safer, and that she herself would fight to protect the country–rather, they questioned her. (more…)
veil-burning in somalia May 10, 2007Posted by sindhub in Ayesha Dharkar, bodies, deception, Ethics, fashion police, Female Power, female soldiers, gender, ideology, in the news, International, islam, modesty, morality, nationalism, news stories, politics, Power, somalia, the state, The Terrorist, wartime politics, women and war, women in the military.
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There have been news stories in the past two days about government soliders in Somalia, which is currently in a state of civil war with explosions taking place recently in capital Mogadishu, taking women’s veils (ones where only the eyes are uncovered) and burning them. When I first heard about it, I thought it seemed like what happened in pre-1979 revolution Iran, when women weren’t allowed to dress in religious garb in an avowedly secular state ruled by a monarch, but it turns out that the recent veil-burning wasn’t government-sanctioned. The soliders did it because they wanted to make sure that the women weren’t part of the ‘rebel’ Islamist movement, and hiding bombs or weapons under their veils.
I thought this situation was interesting in its similarity to The Terrorist. Malli is valued within her organization because she’s a woman, which means that she is underestimated and seen in a de-politicized way, which will enable her to get past security checkpoints–while carrying the ammunition she needs in the basket on her head, and not firewood or whatever the soliders may assume it is, showing that it is precisely her femaleness that allows her to get by–and get close enough to the politician to assassinate him. It seems that the Somali soliders were concerned that they were letting Muslim women who might pose a threat get by because of their female religious need/desire to cover themselves modestly, and decided to take action, for their own safety presumably.
Something else that comes to mind is how this fits women into nationalism. (more…)
The fight over the veil May 7, 2007Posted by Wasik in bodies, careerwomen, controversy, fashion police, Female Power, feminism, ideology, in the news, iran, islam, morality, nationalism, politics, religion, the state, The Terrorist, Uncategorized, women and war.
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[This started out as a comment to sindhub’s post on Women’s Bodies and Ideology, but then quickly became very long so now it is a normal post. But sindhub– thanks for bringing this topic up!]
The debate about traditional islamic dress for women– loosely referred to in Western discourse as ‘the veil’– is probably the most complicated, intricate and endlessly controversial way in which, as you mention, nationalist and religious (though the two are often inextricably tied) movements use women’s bodies to enforce ideology.
In Western media and popular culture, the issue is often presented very one-sidedly, ignoring the nuance involved which has perpetuated this debate for so long. I distinctly remember one episode of “Seventh Heaven” in which taking up the veil was seen as an absolute tragedy to be lamented; throughout the episode, Mrs. Camden was haunted by visions of her daughters veiled and oppressed, and the end of the program featured many of its actors speaking out against the treatment of women in states under sharia law. (more…)
women’s bodies and national ideology May 4, 2007Posted by sindhub in bodies, Ethics, fashion police, ideology, in the news, iran, islam, modesty, morality, nationalism, new york times, politics, Power, religion, the state.
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There’s an interesting article in the New York Times today about the ‘fashion police,’ quite literally, in Iran. Ever since the 1979 Islamic revolution that made Iran an Islamic state, there have been certain policies about how women should dress in public (modestly, in the chador) that are enforced by the police. I think it’s important to note that before the 1979 revolution, Iran was an avowedly secular state, which meant that women actually weren’t allowed to publicly dress in ‘modest’ Islamic clothes. I think this just goes to show that in a state that has a lot of power over its citizens, women’s bodies are one of the tools used to enforce its ideology, no matter how seemingly ‘repressive’ or ‘liberal’ that ideology is.
Here are some of the bits from the article that I found particularly amusing: (more…)
Alias Episode 1:2 Scared vs. in Control April 30, 2007Posted by lindamc in alias, attitude, Female Power, gender, imagery, La Femme Nikita, the state, tv.
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I found these two episodes of Alias very interesting in terms of the depiction of Sydney. Sometimes when she is at her work she looks scared and lost (much like Nikita) that she is fumbling to figure out what to do. While other times, she seems very much in control and confident: when she tells the men that are pulling her teeth as torture to “biteme.” This cycle occurs again and again, (when she is having a flashback to buying guns in the middle east and the guy that is selling them shoots his comrade when one gun doesn’t work: she looks scared (turning her head and wincing even though I’m sure she’s seen people shot on numerous occasions: she has even probably shot a few herself) and then in control with a tough face spewing Arabic. On another occasion, before she gets caught and her teeth pulled with the red hair, she is being shot at from over the counter (very Femme Nikita) and looks terrified and lost, there is another shot shortly after that where she clutches what she stole to her chest and hides behind a part of the lab tables looking completely terrified, but then stands up to declare: Over here boys, in a voice that reeks of control and arrogance. I found these scenes as direct evidence that the produceers and directors of the show are making sure the (more…)
motherhood trumps all? April 25, 2007Posted by Wasik in bodies, careerwomen, female bounty hunters, Female Power, gender, motherhood, Sri Lanka conflict, the state, The Terrorist, Uncategorized, women and war.
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Both “The Terrorist” and “The Long Kiss Goodnight” raise the question: when a woman’s kickass body is an essential tool in her job (in the former, because she is a suicide bomber, and the latter because she is a counter-assasination agent for the State Dep’t), is it possible for her to also be a mother?
Girlfight, A Clockwork Orange, and the fringes of society April 12, 2007Posted by sindhub in A Clockwork Orange, class, Girlfight, imagery, race, the state.
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I just wanted to make some comments about the imagery from the beginning of Girlfight. I was struck by how unabashedly dismal and bleak everything in Diana’s world was presented; the movie made no pretense, from the very beginning, about who Diana is and what her world is like.
In particular, I thought the very opening scene that we looked at in class bore an unusual similarity to what I know Stanley Kubrick used in a lot of his films–the image of the main character looking up at you with determinedly unsympathetic eyes. One example is from the opening scene of A Clockwork Orange (warning: there is some violence towards the end of the clip, and I apologize for the poor quality [it’s a video of the movie being showed on TV] but it was the only one I could find that didn’t remix the scene with different music)
There are some similarities between the characters of Alex (the guy the camera is focusing on at the beginning of the video) and Diana. Namely, (more…)